POP
Musicologists often identify the following characteristics as typical of the pop music genre:
- an aim of appealing to a general audience, rather than to a particular sub-culture or ideology
- an emphasis on craftsmanship rather than formal "artistic" qualities
- an emphasis on recording, production, and technology, over live performance
- a tendency to reflect existing trends rather than progressive developments
- much pop music is intended to encourage dancing, or it uses dance-oriented beats or rhythms
Harmony in pop music is often "that of classical European tonality, only more simple-minded."Clichés include the barbershop harmony (i.e. moving from a secondary dominant harmony to a dominant harmony, and then to the tonic) and blues scale-influenced harmony. "The influence of the circle-of-fifths paradigm has declined since the mid-1950s. The harmonic languages of rock and soul have moved away from the all-encompassing influence of the dominant function. ...There are other tendencies (perhaps also traceable to the use of a guitar as a composing instrument) – pedal-point harmonies, root motion by diatonic step, modal harmonic and melodic organization – that point away from functional tonality and toward a tonal sense that is less directional, more free-floating."
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